It has frequently been stated that this photograph of Alekhine and Capablanca was taken in 1927, but it is a demonstrable fake. The matter has been discussed in a series of C.N. items, and a digest of them (slightly edited) is presented below.
Luca D’Ambrosio (Bolzano, Italy) asks for information about the well-known photograph of Alekhine and Capablanca, which is generally said to have been taken during their 1927 world championship match. Mr D’Ambrosio considers that there are sufficient unnatural points (lighting, background, etc.) to suggest that it is a montage. We offer a number of observations:
1) The photograph is to be found on, for example, page 165 of Aleksandr Alekhin - nepobezhdennyi chempion by Y.N. Shaburov (Moscow, 1992), page 164 of Das Schachgenie Aljechin by I. and W. Linder (Berlin, 1992) and in editions of volume one in Kasparov’s Predecessors series which have illustrations (e.g. the Russian and Italian versions).
2) Capablanca appears in a reverse shot of the portrait given on page 14 of the ‘1. Extra-Ausgabe’ of Kagans Neueste Schachnachrichten, published in late 1925 or early 1926. This picture was also the illustration in the Wildhagen volume on Capablanca (Hamburg, 1963). [Later, C.N. 3519 reproduced the same photograph from opposite page 244 of the December 1925 issue of L’Echiquier.] For purposes of comparison with the above photograph, we give Capablanca facing in both directions:
3) The board position in the Alekhine-Capablanca photograph is identifiable as from Nimzowitsch v Alekhine, Semmering, 7 March 1926. Although we have not found such an Alekhine picture from that event, the tournament book by Robert Laseker (published in Mährisch-Ostrau in 1934) contains the following photograph of Gilg and Spielmann:
[C.N. 4532 remarked that when this picture was published on page 143
of the November 1926 American Chess Bulletin the third
person was identified as ‘Washburn Jr., son of the American
Ambassador in Vienna’.]
It will be noted that the board, pieces, clock and background correspond to those in the Alekhine-Capablanca photograph.
4) Capablanca was not in Europe in 1926. Following the Moscow, 1925 tournament he reached Havana on 24 December 1925, and after his stay in Cuba he went to the United States in May 1926. (Sources: American Chess Bulletin, January 1926, page 3 and May-June 1926, page 70.)
5) In view of the foregoing we believe that the Alekhine-Capablanca photograph must indeed be regarded as a montage.
From a plates section in volume one of Kasparov’s Мои великие предшественники (Moscow, 2003):
We have now found that the Alekhine-Capablanca picture appeared in the book on the 1927 world title match edited by Alekhine’s brother, Alexei, i.e. Match na pervenstvo mira Alekhin-Capablanca (Kharkov, 1927):
The caption asserts that the photograph was taken on the first day of the match.
We have also come across another Capablanca-Alekhine photograph which is a more obvious forgery:
It was given on page 267 of the December 1927 issue of the Swedish magazine Schackvärlden. The Capablanca part of the photograph is recognizable as coming from a shot of him with Emanuel Lasker (in Moscow in 1925). See, for instance, the picture section of the Dover reprint of the New York, 1924 tournament book. For some reason the manipulator altered the position and depicted the board the wrong way round.
Birger Flindtholt (Randers, Denmark) writes:
‘I found an interesting drawing in a recently acquired book, Lehrbuch des Schachspiels by Emanuel Lasker (4. Auflage, 1927). Bound together with the book was a German-language newspaper cutting reporting on the third round of the Moscow, 1925 tournament and dated 13 November. The report included a sketch of Capablanca and Lasker seated at a chess board. The position on the board makes no sense.’
Capablanca and Lasker met in the first round of the Moscow tournament, on 10 November 1925, the opening being a Queen’s Gambit Declined. The Capablanca sketch is evidently based on the photograph of him given in our earlier items and published on, for instance, page 14 of the ‘1. Extra-Ausgabe’ of Kagans Neueste Schachnachrichten in late 1925 or early 1926, whereas the drawing of Lasker corresponds to a photograph given two pages earlier in the same issue:
A postage stamp:
The fake Alekhine v Capablanca photograph continues to crop up in various guises, and we recently even acquired a mousepad depicting it. As regards the Alekhine part of the picture, the German tobacco card below (which features A. Alekhine, V. Tietz and A. Nimzowitsch) may be noted, not least because C.N. 3513 reported that the board position in the Alekhine v Capablanca photograph was from Nimzowitsch v Alekhine, Semmering, 1926.
For another copy of the tobacco card, together with a discussion of the complete set, see pages 42-43 of the May 2005 CHESS (an article by Gareth Williams).
C.N. 4694 mentioned that the Alekhine part of the above tobacco card is a familiar photograph of Alekhine to be found on, for instance, page 72 of Schach – ernst und heiter by Rolf Voland (Berlin, 1981), but we have yet to find the full Alekhine-Nimzowitsch photograph. The main unresolved point in this affair is how the fake Alekhine-Capablanca photograph originated.
Michael Negele (Wuppertal, Germany) has found a photographic feature in Wiener Bilder, 28 March 1926, pages 8-9:
Alekhine at Semmering, 1926
‘Alekhine v Capablanca, Buenos Aires, 1927’ (fabricated photograph)
The fake photograph of Alekhine and Capablanca continues to be disseminated unquestioningly. It was on prominent display at the 2013 Alekhine Memorial Tournament and is on page 250 of Alekhine’s My Best Games of Chess 1908-1937 (Milford, 2013).
We summarize, firstly, what has been established so far regarding the fake Alekhine-Capablanca photograph, supposedly taken during the 1927 world championship match in Buenos Aires.
The picture of Capablanca was on page 14 of the ‘1. Extra-Ausgabe’ of Kagans Neueste Schachnachrichten, published in late 1925 or early 1926:
The shot of Alekhine was taken at Semmering, 1926 and was published on page 8 of Wiener Bilder, 28 March 1926 (C.N. 7971).
A crude juxtaposition of the two pictures, with reversal of the Capablanca one, gives this:
When the fake photograph appeared in the book on the 1927 world
title match edited by Alekhine’s brother, Alexei, i.e. Match
na pervenstvo mira Alekhin-Capablanca (Kharkov, 1927), it
was described as taken on the first day of the match. To date,
that has been the earliest known publication of the picture.
Now, however, Christian Sánchez (Rosario, Argentina) has found that it had been printed on page 358 of Ilustrirani Slovenec, 30 October 1927:
Luc Winants (Boirs, Belgium) adds that the photograph appeared in various Dutch newspapers shortly after the world championship match ended, e.g. in the 6 December 1927 issues of Het Centrum and the Nieuwe Tilburgsche Courant.
From page 133 of Aljechin šahovski umetnik by Janez Stupica (Ljubljana, 2007):
C.N. 8073 noted that the fake photograph of Alekhine and Capablanca was on page 250 of Alekhine’s My Best Games of Chess 1908-1937 (Russell Enterprises, Inc., Milford, 2013). It had already appeared on page 167 of the same publisher’s José Raúl Capablanca by I. and V. Linder (Milford, 2010), and it has now turned up again on page 159 of the same publisher’s Alexander Alekhine by I. and V. Linder (Milford, 2016):
Our feature article on the picture mentions that it was used too on page 164 of the Linders’ Das Schachgenie Aljechin (Berlin, 1992). It is also in the Russian editions of their Alekhine monograph (Moscow, 1992, page 159, and Moscow, 2006, page 171). Furthermore, it was in their Russian books on Capablanca (Moscow, 2005, page 128, and Moscow, 2011, page 155).
The French edition of Wikipedia is one of many language versions which give (on both masters’ pages) the fake photograph of Alekhine and Capablanca:
C.N. 10022 reproduced page 71 of Umkämpfte Krone by R. Stolze (East Berlin, 1986):
From Olimpiu G. Urcan (Singapore):
‘This picture, which originated on an anonymous Twitter account on 30 November 2016, has been widely published on the Internet, and notably in a Huffington Post article the following day.
It is an obvious concoction from a 2011 photograph. Such compositions are easy to make, and it took me just a few minutes to adapt the same original picture to include the fake Alekhine v Capablanca photograph:’
Hoaxers exploit ignorance, haste, laziness and wishful thinking, which makes the chess world a natural target.
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Copyright: Edward Winter. All rights reserved.