(Punctuation usage referred to in C.N. 582; see page 116 of Chess Explorations.)
Pages 380-381 of Kings, Commoners and Knaves quoted from page 8 of Twenty-five Annotated Games by Robert Hübner (Berlin, 1996) an explanation of the practice followed in that book:
‘There are no exclamation marks, as they serve no useful purpose. The best move should be mentioned in the analysis in any case; an exclamation mark can only serve to indicate the personal excitement of the commentator. I do not want to impose my feelings on the reader, and I leave it up to him when to feel amazed or thrilled, and when not.’
D.J. Morgan, writing on page 103 of the April 1953 BCM:
‘We do, indeed, favour the use of exclamation marks, sparingly and pointedly: certainly no more than two after a move. But to shake, vigorously, a pepper-box full of such marks is to make them meaningless.’
We can think of only one case where a prominent player (a world title challenger, in fact) appended question marks to three of his first six moves. Bogoljubow (White) won his eighth-round game against B. Koch at Bad Pyrmont, 1933 in 33 moves, yet he gave the opening as follows: ‘1 Nf3 d5 2 c4 d4 3 b4? f6 4 a3 e5 5 e4? c5 6 bxc5?’.
His annotations appeared in the Remscheider Generalanzeiger and were reproduced on pages 240-242 of the Deutsche Schachzeitung, August 1933.
Quiz question: Annotating a game between two world champions, Reuben Fine gave two question marks to Black’s third move. Which was the game?
The game was Fischer v Petrosian, Buenos Aires, 25 October 1971, which began 1 e4 e6 2 d4 d5 3 Nc3 Nc6 (‘??”). Fine commented:
‘Every beginner (even those who have not read my books) knows that Black should not block his QBP. Why Petrosian does so remains incomprehensible.’
Source: The Final Candidates Match Buenos Aires, 1971 by R. Fine (Jackson, 1971), page 30.
Can readers improve on past efforts to find the earliest instances of moves being awarded exclamation and question marks (see page 116 of Chess Explorations)?
In C.N. 622 G.H. Diggle wrote:
‘The first “exclamation mark” I can discover is in Chess Player’s Chronicle Volume 1 page 4 (Staunton v Popert) but it was put in brackets (!) and denoted not a good move but a blunder! Walker’s Chess Studies occasionally does the same thing (see games 889 and 946). The earliest modern use of ! that I can find is in the BCM 1881, page 124 (Thorold v Wayte).’
In C.N. 647 another correspondent, Rob Verhoeven, pointed out that page 6 of Cook’s 1874 book Synopsis of the Chess Openings gave a list of abbreviations which included =, ! and ?, whereas Lange’s Jahrbuch des Westdeutschen Schachbundes 1862 used (!) and (?).
From Michael Clapham (Ipswich, England):
‘There are plenty of examples of exclamation marks in the BCM of 1881 before page 124. They start on page 23, where there is a note at the bottom of the page stating,“This sign (!) denotes ‘best move’”. The game between Wayte and Schmid on page 24 has exclamation marks for three moves in a row.
Page 253 of the Westminster Papers for 1 April 1874 includes an example of the double exclamation mark in the note to Black’s 33rd move in the game Madan-Keynes.’
Exclamation marks became prevalent in the Deutsche Schachzeitung in 1861, but at first the custom was to attach them to moves by Black in compositions, in the sense of ‘the best defensive try’. See, for instance, page 136 of the April 1861 issue. Another example concerns this position from page 70 of the January 1861 number:
The solution appeared on page 228 of the July 1861 Deutsche Schachzeitung:
Two small points about old usage are mentioned briefly.
Books and magazines sometimes placed an exclamation mark or question mark in brackets to temper its force. For instance, the game Alekhine v Tylor, Margate, 1937 in Alekhine’s My Best Games of Chess 1924-1937 (London, 1939) had ‘7 P-B3?’ and ‘23 BxP(?)’.
A century or so ago, particularly in German-language chess literature, it was common to spread an exclamation mark or question mark across two or more moves which comprised a manoeuvre or idea. An example is the conclusion of Maróczy v Marco, Monte Carlo, 1902 on page 36 of the January 1904 Wiener Schachzeitung:
A general matter is mentioned here in passing, concerning the use of punctuation in prose.
It may be wondered why so many people nowadays put question marks after indirect questions? And maybe/perhaps stranger still, question marks after maybe/perhaps? And after other ordinary statements which are not questions? We assume that there is some explanation?
See too C.N. 9887.
C.N. 582 reported that on page 148 of the Australasian Chess Review, 17 June 1937 a move received eight question marks.
Another case was on pages 15-17 of Chess World, January 1967. The game was annotated by W.J. Geus, but only the punctuation is shown below:
Douglas Gibson Hamilton – Emanuel Basta
Championship of Victoria, Melbourne, 1966
1 e4 c6 2 d3 d5 3 Nd2 e5! 4 g3 Nf6 5 Bg2 Be6 6 Ngf3 dxe4 7 dxe4 Nbd7 8 Qe2 Be7 9 h3 h6 10 O-O g5! 11 Nc4 Qc7 12 Nh2 O-O-O 13 a4 Bc5 14 c3 Nb6 15 Nxb6+ Bxb6 16 b4 a5! 17 Be3 axb4 18 a5!? Bxe3 19 fxe3!? Ne8 20 a6 b5 21 cxb4 Bc4 22 Qg4+ Kb8 23 Rfc1 Ka7 24 Bf1 Nd6 25 Qf3 h5 26 Be2 Rd7 27 Nf1 g4! 28 hxg4 hxg4 29 Qxg4
29...f5!! 30 exf5 Bd5! 31 Bd3 Rg7 32 Qe2 Rh1+ 33 Kf2 e4! 34 Bxb5 Nxb5 35 Kg2
35...Nd4?!? 36 Qb2! Nf3??
37 b5???????? Rxg3+! 38 Nxg3 Rh2+ 39 Kf1 Rxb2 40 White resigns.
After White’s 37th move Geus wrote:
‘This annotator believes that the difference between the winning move (37 KxR) and the text deserves as many ?s as the printer is likely to tolerate.’
An example of punctuation which is accidentally wrong in a game-score occurs on page 104 of Scacchi (‘Manuale di base’) by Paola Cavallanti (Florence and Milan, 2002): in Capablanca v Spielmann, New York, 1927, 18 axb5 is given two question marks.
The final paragraph of the Introduction to Confessions of a Chess Grandmaster by A. Soltis (Davenport, 1990):
‘And I’m not going to bore you with two pages of sub-variations explaining why 22 b3!? is slightly better than 22 Rc2?! There is entirely too much punctuation wasted today by members of the Hübner-Timman school who will give you reams of analysis to reveal the absolute truth about a game but may not get around to explaining why a move is good, what was in the player’s mind when he played it or how it can help you improve your own play.’
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