See C.N. 5168 below.
The present (general) article complements Harry Golombek’s Book on Capablanca.
The longest letter we ever received from Harry Golombek was in the summer of 1985, and before reproducing it we summarize the context.
Regarding the anti-Semitic articles attributed to Alekhine, C.N. 990 included some comments to us from Anthony Saidy about two books by A. Kotov and M. Yudovich, The Soviet School of Chess (1958) and The Soviet Chess School (1983):
‘Whereas in 1958 no mention was made of the sticky subject of Alekhine’s petty collaboration with the Nazis in the form of those anti-Semitic essays which I believe were written so ludicrously as to telegraph their insincerity, now we learn that he was “unjustly accused of collaboration”. I believe this exculpation to be the most transparent rewriting of history for the hackneyed Soviet ideological purposes. When I pointed out to Kotov at Nice in 1974 the fact that a leading British figure had, after Alekhine’s death, found a version of the essays in his handwriting (where are they now?), thus proving their authenticity, if not their plausibility, he brushed it off as “British propaganda”.’
The vague term ‘leading British figure’ was used because, at that time, it was uncertain whether it was B.H. Wood (the name originally given to us by Dr Saidy), Golombek or someone else. We decided to raise the matter with H.G. As will be seen below, he not only replied regarding Alekhine but also commented briefly on another item in the same issue of our magazine (C.N. 1007), in which Hugh Myers had presented a three-page analysis of the termination of the first Karpov v Kasparov match and had come to conclusions sharply at variance with the prevailing view at the time.
‘From Harry Golombek
35 Albion Crescent
Chalfont St Giles
Bucks HP8 4ET.
7 July 1985
Dear Mr Winter,
Many thanks for your kind note and for sending me issue 22 of C.N. However I must add that Mr Myers’ intervention in the Karpov-Kasparov dispute seems a little unhappy since he merely adds a little confusion to the whole unhappy incident about which he seems to have little first-hand knowledge.
The statement in The Times that I am fully on the mend is a little premature but it’s a little better than the previous bald statement that I was ill in hospital.
As a matter of fact the position is that my health is improving and that I must be thankful to my ancestors for bequeathing me a very strong heart capable of standing quite a lot of strain.
In addition the fact that I have never smoked and have drunk very little alcohol seems to have stood me in good stead as regards my major organs ...
[Here we omit about 300 words of personal/medical details.]
You will see by all this that I am a walking compendium of illnesses; but I’m determined to survive as I have at least five more books to finish writing and a great deal of Mozartian chamber music to which I want to listen.
Meanwhile a little clarification about the discovery of the Alekhine articles.
When Alekhine’s widow died Brian Reilly was in Paris and he was afforded the opportunity of examining her effects. When he returned from Paris he said to me sadly, “It’s true about the Alekhine anti-Semitic articles. I’ve seen them in Alekhine’s own handwriting”.
However, I should add that Reilly, who is writing a definitive biography of Alekhine and for whom Alekhine seems to have become a sort of chevalier sans peur et sans reproche, said to me a few months ago, “Where did you get the information in your article in your encyclopedia about Alekhine having written the anti-Semitic articles?”
Upon my telling him that I had got the information from him on his return from Paris, he denied that any such conversation had taken place. So you have to take your choice; either my memory is right (and I can still see in my mind’s eye Brian’s melancholy face as he told me this) or Brian’s memory is right and this never took place. I must add that most people find my memory is all right; nor do I experience any difficulty in remembering the appropriate facts for writing an article about something about 20 years ago.
However, you had better stick to a leading chess figure, which phrase can hardly be confused with such a character as Myers or B.H. Wood.
Meanwhile I intend to test my stamina and my memory and my chess skill by playing in the British veterans championship tournament at Edinburgh next August.
If I ever fully recover my health I intend to pay another visit to Geneva since I’d like to have another look at Mme de Staël’s beautiful house there and in that case I’ll pay you a visit in 9 rue de la Maladière; such a place should seem quite fitting for one who is a walking compendium of illnesses as I am and as I hope you are not.
Yours unhealthily but sincerely,
(signed) Harry Golombek.’
One point arising from this letter is Golombek’s reference to having ‘at least five more books to finish writing’. We are not aware of his having published any (new) books after 1985.
An arraignment by Harry Golombek on page 7 of the January 1939 BCM, i.e. the opening paragraph of a review of Lehrreiche Kurzpartien by J. Benzinger (Leipzig, 1938):
‘This book contains a collection of 172 brief games only about four of which ever deserved to be seen in print. The rest are feeble examples of third-rate chess. Miniature games of chess should resemble miniature paintings; they should be delicately varied, subtly designed and, above all, executed with economy. But these are gross, heavy and thick with accumulated blunders, in short the book is a chamber of horrors which contains but little of the edification promised in the title.’
A news report by Harry Golombek on pages 8-9 of the January 1952 BCM:
‘My more mechanically minded readers will be interested to learn that a portable electronic brain, weighing a mere 500 pounds and costing only 80,000 dollars, has been developed by the Computer Research Corporation of Hawthorne, California. One of its designers, Richard Sprague, claims it can play unbeatable chess. Donald H. Jacobs, president of the Jacobs Instrument Company of Bethesda, Maryland, and himself developer of a 140-pound mechanical brain, proved sceptical and challenged the CRC-102 (the euphonious and imaginative name of the electronic midget brain) to a best of 20 games match, offering to bet 1,000 dollars on his ability to defeat the baby electronic brain without consulting his own mechanical brain for assistance. The CRC-102 declined the match hastily on the grounds that the “urgency for this machine in the defence effort makes such a tournament untimely”. Clearly history is engaged in its habitual process of repeating itself and we are faced once again with the Morphy-Staunton incident.’
The device in question was discussed on page 34 of Chess Review, February 1953, where Robert H. Dunn quoted the following:
From a report by Harry Golombek on the seventh game of the Botvinnik v Smyslov world championship match in Moscow on 30 March 1954:
‘Television made its first appearance in the history of world chess championship matches during the course of this game, which was televised from 8 till 8.30 p.m.’
Source: BCM, May 1954, page 141.
Below is a news report from page 292 of the October 1960 BCM in which Harry Golombek’s waspishness and sniffy irony were in full flow:
‘The US is experiencing difficulty in raising the sum necessary to send a team to Leipzig. A chess committee has addressed an open letter to President Eisenhower stating that 6,000 dollars were required for this purpose and that “this year with such top players as Bobby Fischer, Samuel Reshevsky, Larry Evans, Robert Byrne, Arthur Bisguier, Pal Benko, Nicolas Rossolimo, James Sherwin and others to select a team from, our chances of winning are excellent”. The letter finishes with “We need an immediate O.K. from you”. One hopes that there will be a good response to this request and that we will see a US team at Leipzig. Unfortunately, the game of chess being what it is, we doubt whether even an immediate O.K. from a US President will suffice to lever the team into first place.
This optimism about USA’s chances seems to flow in some measure from the considered opinion of the US Champion, 17-year-old Bobby Fischer. In the Saturday Review for 10 September we read that “the big news in American chess these days is that the United States, for the first time, has at least half-a-dozen players who, as a group, have a better than fair chance of winning the world’s championship at the Chess Olympics. According to young Mr Fischer, who visited S.R.’s offices recently, a team made up of himself, Samuel Reshevsky, Larry Evans, Nicolas Rossolimo, Arthur Bisguier and Robert Byrne would be in genuine contention for first place.” Knowing the members of this team the present writer would be prepared to admit the truth of this last sentence, always provided the last three words were omitted.
Some more illuminating remarks are quoted in the following paragraph: “We asked Fischer about his recent trip to Russia and he told us that the average man in the street was no more interested in chess there than he was over here. ‘Moscow’s a pretty dull place’, he told us frankly. Fischer himself has grown up some since we talked to him last, but mostly in height. He is still not much of a scholar, although he likes books on magic, hypnotism and palmistry, and stories of intrigue. Asked if he wanted to go to college, he shook his head. ‘Nah’, he said, ‘too much homework.’”
What sort of divining guide Fischer used to test the average Muscovite’s interest in chess we do not know since he speaks no Russian but we are happy to assure the reader that the young American grandmaster is far from being the moron that one might think him to be from these idiotic remarks.’
Regarding Harry Golombek’s book on the 1948 world championship match-tournament in The Hague and Moscow, the following untrue statement is quoted on page 42 of the December 2004 Chess Life:
‘The author of this book was on the spot throughout and at the very epicenter of all the action.’
In reality, Golombek was not present in Moscow at all, as he explained in his introduction to the 1982 BCM edition of the book:
‘The time came when the event moved off to Moscow. I endeavoured to follow the big group of Dutch and Russian chess masters and officials but was unable to gain a visa. [H.G. then gave further details.]
So I had to be content with studying the games of the Russian section of the tournament in the Soviet bulletins. Fortunately, these were very well annotated and there were also quite elaborate descriptions of the playing hall and the various circumstances that attend a great tournament.’
Regarding the above reference to page 42 of the December 2004 Chess Life, C.N. 3864 added that the untrue statement about Golombek, unquestioningly quoted by Larry Evans, had been written by Raymond Keene.
It has yet to be ascertained whether anybody has seen the cassette referred to in CHESS, July 1972, page 299 and quoted in C.N. 2787:
A chess programme in colour of 30 minutes’ duration has been recorded for television cassettes on a co-production basis between the Crown Television Group London and East End Productions in New York. It is based on Harry Golombek’s Penguin book The Game of Chess.
Some group photographs featuring Golombek are given in our feature article on Leonard Barden. See too the material concerning Golombek in Ernst Ludwig Klein and in Chess and the Code-Breakers.
This caricature of Golombek, by Zen, is in III° torneo internazionale di scacchi Venezia 1949 by H. Müller (Venice, 1950).
When was the term ‘grandmaster draw’ coined? On the first page of the Introduction to his book Prague 1946 (Sutton Coldfield, circa 1951) H. Golombek wrote: ‘the number of so-called “grandmaster draws” can be counted on the fingers of one hand.’ How much further back can the phrase be traced?
Below is an inscription by Golombek in our copy of Prague 1946 to the Czech master Jaroslav Šajtar:
We have found some occurrences of ‘grandmaster draw’ from 1948 (i.e. a couple of years before FIDE officially brought in the title ‘grandmaster’).
In a report on the world championship match-tournament page 11 of the May 1948 Chess Review had two instances:
‘Round eight produced the first “grandmaster draw” of the tourney. On the 24th move, Keres proposed a draw and Reshevsky accepted.’
‘Many people feel that the “grandmaster draw” is the bane of competitive play.’
From page 308 of the September 1948 BCM (a report by H. Golombek on the Stockholm Interzonal tournament):
‘The Lilienthal-Bronstein game was a typical example of the so-called “grandmaster” draw.’
From a review by J.M. Aitken of Réti’s Best Games of Chess by Harry Golombek (London, 1954) on pages 100-101 of the March 1955 BCM:
‘Chess books (and, in particular perhaps, games collections) can be divided into two main classes – those that are the product of a genuine devotion of the author to the subject and those that are, in the main, made to order to meet a real or supposed topical demand. It is not intended to scorn or disparage unduly the second class; given a competent and conscientious author, an excellent book will probably be produced. Nonetheless, it is in the first category that the true masterpieces are likely to be found and it is high in this class that we must rate Golombek’s book on Réti. Réti has clearly always been one of Golombek’s chess heroes and now, like a more fortunate Antony, he comes not to bury Réti, but to praise him.’
Below is Golombek’s inscription in one of our copies of his book:
C.N. 2397 commented:
... in 1997 Batsford produced a reprint of Golombek’s book on Réti, putting ‘Golmbek’ on the frnt cver.
David Picken (Greasby, England) quotes the following from pages 47-48 of World Chess Championship 1954 by Harry Golombek (London, 1954):
‘Watching them today I was struck by the contrast between the players in their actual physical moving of the pieces. Smyslov invariably makes each move with a little flourish and a motion, as though he were screwing in each piece on the board. Botvinnik is strictly utilitarian in his methods. He shuffles the pieces into position almost negligently, as though he knows they will drop into the right place given the slightest encouragement – and so, it must be admitted, they usually do.’
The inscriptions in one of our copies of Golombek’s book:
Paul Morphy was described by Golombek as ‘perhaps the greatest chessplayer that ever lived’.
Source: page 51 of his book Modern Opening Chess Strategy (London, 1959).
Regarding Chess by H. Golombek and H. Phillips (London, 1959), see our feature article on Hubert Phillips.
‘If this is Golombek’s English, we will eat our hat. It is more like the English of a well-educated foreigner.’
Harry Golombek, Schach-Express, 13 October 1949, page 11
The remark quoted in C.N. 4970 (‘If this is Golombek’s English, we will eat our hat. It is more like the English of a well-educated foreigner.’) appeared on page 340 of CHESS, 15 July 1964 in a brief review of a book translated and edited by Golombek, Grandmaster of Chess The Early Games of Paul Keres (London, 1964).
We recall too Wolfgang Heidenfeld’s review of World Chess Championship 1957 by H. Golombek (London, 1957) on pages 60-61 of the March 1958 BCM. Whilst praising aspects of the book, Heidenfeld quoted a passage describing the start of the third match-game, where ...
‘... the author uses over 40 words to say exactly nothing. One is almost surprised that he does not record the fact that both players were breathing (you know, by inhaling air). Could any of the stuff he sees fit to describe be of the slightest interest to any chessplayer anywhere in the world?’
Heidenfeld stated that there was ‘far too much of this meaningless verbosity throughout the book’ and he also raised an analytical point that is worth noting. Having remarked that the analysis was sometimes ‘very good’, Heidenfeld added that the annotations were ‘quite often extremely superficial’. As an example he referred to page 104 (the 17th match-game):
White (Botvinnik) played 24 Rxc8+, and Golombek wrote:
‘In this phase of the game Botvinnik is scarcely recognizable. Now he meekly surrenders command of the QB-file without gaining the slightest compensation elsewhere. At least he should try for a K-side attack by 24 P-Kt4.’
‘The annotator overlooks that the 24th move is virtually forced; that, in other words, Botvinnik is compelled to surrender the queen’s bishop’s file, meekly or otherwise, with or without compensation. For if he plays 24 P-Kt4 as recommended, there follows 24...RxR 25 QxR N-K5! – and with the queen deflected from Q3 and no piece able satisfactorily to protect the knight, White could hardly avoid 26 KtxKt PxKt 27 Kt-Q2 R-QB1 28 Q-Q1 B-Q6 29 B-B1 Q-Kt4, with a completely won position, which would not even offer White the chances he still obtained in the game.
It is absurd to imagine Golombek should not have seen this simple sequence of moves. Unfortunately, in this book, quite unlike his usual self, he seems to be too anxious to comment for the sake of commenting, which is precisely the attitude of mind that produces such superficialities.’
In a letter published on page 105 of the April 1958 BCM P.H. Clarke commented on the position after the 29th move in Heidenfeld’s line:
‘... unfortunately the South African master has not seen that after 29...Q-Kt4? ... White has a simple and obvious reply in 30 KtxP. Had he himself given the position more than a superficial study he might have noticed that 29...R-B7 (or even 29...Q-Q4) was the correct way to continue.’
On page 137 of the May 1958 BCM Heidenfeld acknowledged that he had been careless but stated that his error had not invalidated his criticism: ‘whether the line suggested ends in Q-Kt4? or R-B7! has no bearing on the fact that the original note in Golombek’s book – and unfortunately not this note alone – is carping and unnecessary criticism.’
We see that Smyslov’s own note to move 24 suggests that Rxc8+ was necessary and makes no mention of Golombek’s 24 g4:
‘White concedes the open file, since if 24 Bf1 there could have followed 24...Rxc1 25 Qxc1 Rc8.’
Source: page 296 of Smyslov’s Best Games Volume 1: 1935-1957 by V. Smyslov (Olomouc, 2003).
This photograph was published on page 54 of the March-April 1940 American Chess Bulletin. The reference to Rueb is rather surprising.
We are grateful to the Cleveland Public Library for this better-quality scan of the photograph:
We have been re-reading Golombek’s chess column in The Times, which contained much of interest. On 10 December 1977 (page 11), for instance, he discussed, none too warmly, Fred Reinfeld’s writing career, although he seems to have considerably overestimated the quantity of the American’s production: ‘My own library contains 62 books by him and I believe this to have been about one fifth of his output.’ Reinfeld’s books on Botvinnik, Tarrasch and Nimzowitsch were deemed unimpressive, and regarding Nimzovitch the Hypermodern (Philadelphia, 1948) Golombek wrote:
‘... there appeared in the American Chess Review of the time a review couched in the most glowing terms that occupied the whole of the last page. No full signature appeared but simply the initials F.R., and your guess is as good as mine as to whether this meant that the review was by Fred Reinfeld.’
It is unclear what Golombek had in mind, but the extensive book review on page 184 of the June 1949 Chess Review was signed not ‘F.R.’ but ‘J.R.’ (John Rather, the magazine’s Managing Editor).
Although Golombek mentioned new chess literature relatively seldom, he usually practised plain speaking. Commenting in his column of 24 June 1978 (page 19) about Raymond Keene’s book on the 1977-78 Korchnoi v Spassky Candidates’ match, he wrote that the account ‘is so partial as to fail to carry any real conviction’. On 5 July 1975 (page 7) he observed:
‘... it is true that, like everybody else, I started off as a player and that when I won the London Boys’ Championship some 48 years ago I had not the faintest inkling that I would end up as that thing of silk, a mere chess journalist. ...
In the absence of such vates sacri as Breyer, Nimzowitsch, Réti and Tartakower we, who defend the bad against the worse, do our best to maintain a sort of semi-literacy in the world of chess. With certain shining exceptions our modern grandmasters lack the literary gifts of the four great players I have mentioned. All four were indeed genuine grandmasters both in playing chess and in writing about it.
Their books and writings will endure. I wonder how much of the flood of writing that we have nowadays will last.’
His columns naturally contain many reminiscences. On 29 October 1977 (page 11) he discussed F.J. Marshall:
‘I met him towards the end of his career when I was a young master and he was long past his most distinguished best. ... There was a genuine quality about him that, in combination with his enthusiasm and zest for chess, rendered him enormously sympathetic.
He was one of the few great players (Keres was perhaps the only other one) of whom no-one ever said anything to their detriment.’
Golombek was not always sure of his own playing record. On 8 November 1975 (page 11) he wrote:
‘I well remember the late Hugh Alexander asking me many years ago what were my results in my games against Sir George Thomas. I replied I was not sure but believed I was one or two up. Whereupon he laughed and said that was exactly the reply Sir George had given him when asked what his results were with Golombek.’
His column on 16 July 1977 (page 10) praised Alexander highly, noting that at Hastings, 1937-38 he had finished equal second with Keres, below Reshevsky but above Fine and Flohr:
‘Had events pursued their normal course I am now convinced that Alexander would have got very near the world title. The quality of his chess was rising all the time, and his knowledge of the technical part of the game continually deepening.
But then came the Second World War.’
On 2 July 1977 (page 9) Golombek referred to the 1935 Olympiad in Warsaw and his country’s match against Estonia:
‘I beat Ilmar Raud on fourth board, being rather surprised when, as I was about to give checkmate, my opponent took hold of my queen and made the mating move himself.
... To all those of us who took part in the Warsaw Olympiad and saw Keres play it was apparent that a new genius had arrived and one that was going to become a world force. ... I remember, since I was not playing in the 18th round, watching him beat Ståhlberg in the match Estonia-Sweden. After the game Ståhlberg was moving the pieces about the board in an attitude of disbelief and uncomprehension, and I asked him about the game. “He won”, said Ståhlberg. “He shouldn’t have done, but I don’t know quite why.”’
On 17 November 1973 (page 9) he related his experience at London, 1946:
‘This was an event comprising two international tournaments of approximately equal strength and remains vividly in my recollection as a period of intense cold when, owing to lack of heating, the temperature in the playing hall resembled that of Moscow on a dark winter night. I played in my overcoat and had big motoring gloves on so that when I had to make a move I lost some time taking a glove off.’
J. Stone and H. Golombek, from the London, 1946 tournament book
From the 20 August 1977 (page 9) column:
‘Looking back through the 50 odd years from the point when in my middle teens I first became aware there existed something like world championship chess right down to the present day, I would say that in my lifetime there have been five world champions who were and are great match-players as well as great tournament-players: These are, in chronological order, Lasker, Capablanca, Alekhine, Botvinnik and Fischer.
Lasker and Capablanca were intuitively great match-players. They were blessed with the art of match-play in their bones at birth. But the other three, Alekhine, Botvinnik and Fischer, had to work hard to achieve the same heights as their intuitive predecessors. Not that this in any way reflects against them in their capacity both as great players and the creators of great masterpieces. A good book with a wonderful collection of games could be made out of a study of the match games of these three. Maybe I will attempt it if and when I finish the half a dozen books on which I am engaged at the moment.’
As regards that last remark, it seems to us that in the remainder of his life Golombek brought out only two books: his Encyclopedia and Beginning Chess.
He enjoyed making lists, and on 14 May 1977 (page 9) he gave an unusual selection of the ‘ten most interesting personages’ from the past 100 years:
‘I think they would be, in roughly chronological order, Zukertort, Charousek, Rubinstein, Nimzowitsch, Alekhine, Breyer, Tartakower, Bronstein, Tal and Larsen. Reserves could be Carlos Torre, Winawer, Pillsbury and Marshall and a half a dozen other American masters such as Dake, the proud friend of Al Capone, and William [sic] Weaver Adams, author of White to play and win and a sodium bicarbonate addict.’
His column of 27 May 1978 (page 9) discussed Irving Chernev’s book The Golden Dozen (Oxford, 1976) concerning the 12 greatest players of all time. Noting that Morphy, Steinitz and Tarrasch were ‘strange omissions’, Golombek considered that the criteria should concern ‘not only prowess as a player but also what these great players have achieved and, most important, what contributions they have made to the knowledge and theory of chess’. Taking those factors into account, he offered as his top six, ‘in chronological order’, Morphy, Steinitz, Lasker, Capablanca, Alekhine and Botvinnik, and observed:
‘Perhaps (and here it is necessary in the interests of brevity to overdo the comparatives and superlatives) one might say that Morphy was the greatest player of the game, Steinitz the greatest innovator, Lasker the greatest practical player, Capablanca the greatest natural genius, Alekhine the most perfect player and Botvinnik at his best (and this best lasted quite a time), the most magnificent player the world has yet seen.’
Rather oddly, Golombek then added:
‘Nor am I by any means convinced that this is really and absolutely the top six. There are a dozen more, any one of whom could be among the leading six: Anderssen, Chigorin, Tarrasch, Rubinstein, Keres, Smyslov, Bronstein, Boleslavsky, Tal, Spassky, Fischer and Karpov.’
The idea of Boleslavsky being among the half-dozen greatest players of all time is certainly challenging.
M. Botvinnik and H. Golombek, Alekhine Memorial, Moscow, 1956
Later in the same article Golombek wrote:
‘You will have noticed I have omitted Nimzowitsch from my lists, and this is because I have reserved him for a special list of the great eccentrics – to which list also belong such colourful figures as Breyer, Larsen and Simagin.’
Although Golombek was by no means averse to praising Nimzowitsch as a player and writer, his column on 17 September 1977 (page 10) expressed a less admiring view:
‘Colourful and energetic though his writings were, they are based on a fallacy. He gives you a collection of tactics which he elevates into a so-called system. His zestful writing and his great combinational gifts have tended to mask this; but in truth he gives us a façade rather than a building with inner dimensions.’
From Harry Golombek’s column in The Times (Saturday Review), 29 October 1977, page 11, in a discussion of My Fifty Years of Chess by F.J. Marshall (New York, 1942):
‘I have been told he did not in fact write the book but that it was written for him. In any case one must assume that even if he did not actually write the work he told someone else what to write.
It is odd how this tradition of deputing other people to write one’s books seems to have flourished in America since Marshall was followed in this practice by two of the most outstanding of his successors as United States champion, Sammy Reshevsky and Bobby Fischer. It is also a little odd if indeed Marshall did descend to this practice since I gained the strong impression when I met him that he was one of the most honest and sincere of all grandmasters.’
Golombek’s further remarks about Marshall in that column were quoted in C.N. 5215 above.
Chess has been called many things but, to our knowledge, only Harry Golombek has ever labelled it scribogenic. The neologism appeared in his column on page 10 of The Times of 1 October 1977:
C.N. 3255 (see page 249 of Chess Facts and Fables) mentioned a reference to ‘Sir Henry’ Golombek on page 40 of The Sporting Scene by George Steiner (London, 1973). Below are some references to ‘Sir’ Harry Golombek in US sources:
Golombek, of course, was never knighted. He was merely given the OBE for services to chess, in 1966.
Dr Golombek’, ‘Sir Henry Golombek’ and ‘Sir Harry Golombek’ have been mentioned in C.N.s 3226, 3255 and 5674, and Geoff Chandler (Edinburgh) now adds a prominent specimen on page 605 of the October 1972 Chess Life & Review:
The announcement was repeated without correction on page 669 of the November 1972 Chess Life & Review. That latter issue (page 704) also had ‘Sir Harry Golombek’ in a feature about the San Antonio tournament.
‘Sir Harry Golombek’ is a mistake to be expected from Koltanowski; see, for instance, page 5 of Colle System (Coraopolis, 1984). Another example from the United States is the frontispiece of the book by Larry Evans and Ken Smith on the 1972 world championship match. That occurrence was criticized on the cover page iii of CHESS, June 1973, yet on the cover page iii of the previous month’s issue the magazine itself had referred to ‘Professor H.J.R. Murray’. For further instances of that error see The Chess Historian H.J.R. Murray.
Maurice Carter (Fairborn, OH, USA) asks whether there is any truth to a story about Réti told by H. Golombek on pages iv-v of his Foreword to Réti’s Modern Ideas in Chess (London, 1943):
‘... There is related an anecdote typical of the man. In the closing stages of an international tournament he was playing one of the weaker competitors and had obtained a won game. It was his turn to move – an obvious one since all he had to do was to protect a threatened piece. He seemed to fall into a brown study, did not move for ten minutes; then suddenly started up from his chair – still without making his move – and sought out a friend who was present in the congress rooms. To him he explained that he had just conceived an original and entrancing idea for an endgame study. Not without difficulty his friend dissuaded Réti from demonstrating and elaborating this idea on his pocket chess set, and Réti returned, somewhat disgruntled, to the tournament room, made some hasty casual moves and soon lost the game.
Without troubling at all about this loss, Réti at once returned to his hotel and spent almost the whole of the night in working out his endgame study. As a consequence he lost his next game through sheer fatigue and with it went his chances of first prize. He perfected a beautiful endgame composition at considerable financial loss.’
In C.N. 5905 a correspondent asked about Golombek’s claim that Réti lost two consecutive tournament games through being preoccupied by an idea for an endgame study which occurred to him during play.
Now, Fabrizio Zavatarelli (Milan, Italy) draws attention to a passage regarding the February 1928 tournament in Berlin in Jan Kalendovský’s monograph on Réti (see page 211 of the Czech original and page 374 of the Italian edition). It is stated that, after obtaining the better game against Brinckmann in round ten, Réti played 44 Nh5 but was informed that he had overstepped the time-limit. He then happily explained that the position on another board had inspired him to conceive a beautiful study. Still preoccupied with the study, he also lost his games against Tartakower and Steiner. His prize money was 500 Marks lower, but he produced the study, for which he received five Marks.
Corroboration of this account is sought.
C.N. 2165 pointed out that on page 151 of Instructions to Young Chess-players by H. Golombek (London, 1958) Réti’s Modern Ideas in Chess was described as ‘the best book ever written on chess’.
C.N. 2816 (see page 71 of Chess Facts and Fables) sought ‘lesser-known instances of masters making unfavourable scores in simultaneous displays’.
As regards a well-known case (+0 –20 =10 by R.G. Wade in Moscow, 1951), we should like to know whether the Soviet press of the time published any of the games.
H. Golombek referred to that display on pages 127-130 of Instructions to Young Chess-Players (London, 1958):
Harry Golombek – L. Barchatov
Simultaneous exhibition, Moscow, 1957
Queen’s Gambit Declined
1 c4 Nf6 2 Nc3 e6 3 Nf3 d5 4 e3 Be7 5 Be2 O-O 6 O-O Nbd7 7 b3 b6 8 Bb2 Bb7 9 d4 c5 10 cxd5 exd5 11 Rc1 Rc8 12 dxc5 bxc5 13 Na4 Nb6 14 Bxf6 gxf6 15 Nb2 d4 16 exd4 Bxf3 17 Bxf3 cxd4 18 Qd2 Rxc1 19 Rxc1 f5 20 Rd1 Bf6 21 Qf4 Qd7 22 Nd3 Rc8 23 Qh6 Qd6 24 g3 Rc2 25 Re1 Be7 26 Qh5 Rxa2 27 Qxf5 Qf6 28 Qg4+ Kh8 29 Nf4 Qg5
30 Qh3 Rb2 31 Be4 h6 32 Ra1 a5 33 Rxa5 Qf6 34 Rf5 Qg7 35 Nh5 Qg6 36 Re5 Qd6 37 Qf5 Resigns.
C.N. 1809 quoted from page 218 of Beginning Chess by Harry Golombek (Harmondsworth, 1981):
‘It is one of the many delights of chess that it is a literate game for literate people, and this means that a good book on chess is almost inevitably a pleasure to read. Here, therefore, follows a list of further reading which I think you will find both enjoyable and profitable.’
The list features 14 titles. Golombek wrote four of them, translated three, co-authored one and wrote the foreword to one. The remaining five managed to be good without him.
Here, a new matter is raised. On pages 61-62 of Beginning Chess Golombek recalled that at the British Championship in Harrogate in 1947 he won his last-round game against B.H. Wood and was then leading the tournament by half a point, ahead of R.J. Broadbent.
‘I stayed to watch his game against R.H. Newman; if he won this game, then he won the championship; if he drew then we were level and would have to play off a match for the title; and if he lost, then I won the championship.
The game grew very exciting and suddenly I noticed that Newman could promote a pawn to a knight, giving check and forcing a win. He did promote the pawn – but to a queen; and after many complications the game was drawn. Afterwards I asked him why he hadn’t made a knight instead of a queen: “Never thought of it”, was the reply. Well, if you have a similar situation, no doubt you will think of it.’
Only the conclusion of the game was given in the BCM (September 1947, page 293):
Despite the description ‘the most sensational game of the Congress’, we have yet to find the complete game-score.
Harry Golombek’s Modern Opening Chess Strategy (London, 1959) was dedicated to Sidney Weiland of Reuters (‘but for whom the following pages might never have been written’), and the Acknowledgements page thanked Reuters ‘for their kind permission to reproduce much of the material in this book’.
Information on Golombek’s connection with Reuters at that time would be welcome, and particularly since the book comprised detailed openings analysis and not news or reportage.
Below is an inscription by Golombek (Dundee, 1967) in one of our copies of Modern Opening Chess Strategy:
As regards his (later) work as a correspondent for the news agency, the following appeared in the announcement of his book on the 1972 world championship match in the February 1973 CHESS:
‘Golombek was at Reykjavik reporting for The Times and Reuter throughout the play.’
Page 419 of the September 1931 BCM:
‘Nobody amongst living players has such an elegance of style as Ståhlberg when playing at his best.’
Harry Golombek expressed that view on page 124 of a book which he translated and edited: Ståhlberg’s Chess and Chessmasters (London, 1955). He also praised the Swedish master’s style in his obituary on pages 230-231 of the August 1967 BCM:
‘... It is apparent that he was one of the most active and successful tournament players of our time and certainly the most successful Swedish player of all time. But more important is the style in which he played and achieved these results. Style is the operative word in his case; elegant, cultivated, correct, and always with an additional spice of imagination and originality, his was a style that was at once pleasing and effective.’
From page 376 of the 14 July 1938 issue of CHESS:
The position in the Alekhine v Golombek game (before 19 d5) had been given on page 360 of the 14 June 1938 CHESS, with this note:
‘Black might well have tried capturing the pawn, e.g. 19...PxP 20 R-Q1 Kt-K2 21 P-K4?! P-KR3 with some freedom.’
On the same page CHESS indicated the time taken on the game: one hour by White and two hours by Black.
Alekhine’s remark on the projected match with Flohr was in response to this paragraph on page 337 of the 14 June 1938 CHESS:
‘Dr Alekhine and Flohr have signed a contract for a world’s championship match in the autumn (fall) of 1939. The match will be played at various places in Czechoslovakia and the financial and other conditions are to be exactly the same as for the Alekhine-Euwe matches.’
Daniel Naroditsky (Foster City, CA, USA) offers some examples of errors in Chess School 2 The Manual of Chess Combinations by Sergey Ivashchenko (Moscow, 2002), including the following:
Page 151 (position 840): Foltys v Golombek, ‘Prague, 1947’:
‘The game was played not in Prague but in London (in a match between Great Britain and Czechoslovakia). According to the book, the solution is 1 Rxa6 Rxa6 2 Rb7 Rg7 3 c7 Ra8 4 Rb8 Rg8 5 Rxa8 Rxa8 6 Nd7+ Ke7 7 Nb8. But, of course, 7…Ra1+ followed by 8…Rc1 wins outright. The explanation is that a white pawn is missing in the diagram position. In the actual game Black resigned after the rook capture on a8.’
A late specimen of Harry Golombek’s play was given in his column in The Times on 17 January 1981, page 10. Despite supplying a detailed description of the computer against which he had been pitted ‘recently’, he merely named it in the game heading as ‘Machine’.Harry Golombek – ‘Machine’
1 c4 Nf6 2 Nf3 e6 3 Nc3 Bb4 4 Qb3 Nc6 5 a3 Bxc3 6 Qxc3 d6 7 b4 Bd7 8 Bb2 O-O 9 e4 e5 10 d4 exd4 11 Nxd4 Re8 12 f3 Nxd4 13 Qxd4 Qe7 14 Be2 a6 15 O-O Rad8 16 Rac1 Qe5 17 Qxe5 dxe5 18 Rfd1 Re6 19 Bf1 c6 20 Rd2 Rde8 21 Rcd1 R6e7
22 a4 Rd8 23 b5 c5 24 Rd6 axb5 25 cxb5 Ra8 26 Ba3 Rxa4 27 Bxc5 Be6 28 Rd8+ Re8 29 Rxe8+ Nxe8 30 Rd8 g6 and White won.
After Black’s 30th move Golombek commented:
‘Here it looked at first R-R7, then B-Q2, P-R3 and P-B4 and then back to P-R3 and P-KN3. It spent 29 minutes 44 seconds on this hopeless procedure and staggered on for another ten moves before I mated it.’
‘... even when drunk he [Alekhine] could see a great deal further over the board than most chessplayers sober. I remember that, at the Warsaw International Team Tournament of 1935, I was showing a game I had won that day to the fellow members of my team. Alekhine came up, recognized the game and complimented me on it in mellow, if somewhat thickly intoxicated, tones and, in a flash, indicated a vital, winning variation we all had missed.’
Source: ‘Recollections of Alekhine’ by Harry Golombek, Chess Review, May 1951, pages 140-141. See too C.N. 1313. Golombek’s article can also be found on pages 191-196 of The Treasury of Chess Lore by Fred Reinfeld (New York, 1951).
The relevant game from the 1935 Olympiad was not identified, but one possibility is Golombek v Horowitz. The former’s annotations on pages 480-481 of the October 1935 BCM referred to 24 h4 as a possible improvement suggested by Alekhine; at moves 28 and 33, shorter wins were pointed out by Golombek (without, however, any mention Alekhine).
The frontispiece of the booklet Southsea Chess Tournament 1949 by H. Golombek (Birmingham, 1949):
From an article by G.H. Diggle published in the September 1980 Newsflash and reproduced on page 61 of Chess Characters (Geneva, 1984), concerning the 1980 British Championship in Brighton:
‘The Tournament Officials and Wise Men were as enthralling to watch as the players, being ensconced on a distant sort of Mount Olympus to which “nymphs” ascended from time to time with cups of coffee, and from which one patriarch would occasionally come down, and with a countenance heavy with affairs of state vanish through a secret door. The Press, also, “had their exits and their entrances”. Most impressive of all was that of the renowned doyen and “man of a million Congresses”, “H.G.”. Arriving becomingly late, he proceeded in unhurried swan-like manner right up the hall, bowed gracefully to a passing acquaintance, glided (“such being his prerogative”) into the forbidden area behind the ropes, stood for some moments in a reverie, looking neither to the right nor left, and finally sailed away westwards, the epitome of vast experience and sunset calm.’
From pages 166-167 of Beginning Chess by Harry Golombek (Harmondsworth, 1981):
‘This is a variation from a game, Golombek-H.E. Price, Hastings, 1932-33, for which White was awarded a brilliancy prize. White now plays 1 NxB, and after 1...QxQ 2 BxP mate. The perfect co-operation between bishop and knight has enabled White to dispense entirely with his queen.’
The event was the Premier Reserves tournament, but we have yet to find the game-score.
1 c4 Nf6 2 d4 g6 3 Nc3 Bg7 4 e4 d6
5 f3 O-O 6 Be3 Nc6 7 Qd2 Re8 8 Nge2 Rb8 9 O-O-O a6 10 h4 h5 11
Bg5 b5 12 g4 hxg4
13 Bg2 Na5 14 cxb5 Nc4 15 Qf4 Nh5 16 Qh2 axb5 17 Ng3 c5 18 Nxh5 gxh5 19 fxg4 Qa5 20 Kb1 b4 21 Nd5 Ra8 22 White resigns.
Golombek’s column was published on page 11 of the 11 June 1977 Review section of The Times. Concerning the simultaneous display by Romanishin, further details and games were given in ‘Young London v the IGMs’ by Leonard Barden on pages 270-272 of the June 1977 BCM.
Alexander Kotov’s assessment of Agatha Christie was reported by Harry Golombek in The Times Saturday Review, 25 April 1981, page 9:
This feature was published in The Times on page 9 of the 6 June 1975 edition, and on many occasions subsequently. The competition diagram also appeared on posters at, for instance, London underground stations. The winner, P.F. Copping, was announced on page 4 of The Times, 7 February 1976, and the contest was discussed on pages 302-303 of the February 1976 issue of EG.
Harry Golombek wrote a lengthy article, ‘A Successful Experiment’, on pages 168-171 of the April 1976 BCM, and on page 170 he reported:
‘The set position was the finish of a game played at Smolensk in 1950 between Jesierski (White) and Lelczuk.’
In a database we note a game (1 e4 e5 2 f4 Nc6 3 Nf3 d6 4 fxe5 Nxe5 5 d4 Ng6 6 Bc4 Be7 7 O-O Nf6 8 Nc3 O-O 9 Qe1 Re8 10 Ng5 d5 11 Nxd5 Nxd5 12 Bxd5 Bxg5 13 Bxf7+ Kh8 14 Bxe8 Bxc1 15 Bxg6 Bxb2 16 Qh4 Qxh4 17 Rf8 mate) which is labelled Jezierski v Lelczuk, Smolensk, 1953. On pages 85-86 of Test Your Chess IQ: Book 2 by A. Livshitz (Oxford, 1981) the position appeared as Ezersky v Lelchuk, Smolensk, 1950.
For further information about the game, see C.N. 8314.
A photograph on page 303 of A Chess Omnibus:
From B.H. Wood’s column in the Illustrated London News, 30 March 1963, page 482:
‘I know of only one book devoted to the saving of lost positions; that is, not unexpectedly, by Fred Reinfeld, who must in the course of his lifetime have racked his brain to think what he could write about next. (His enormous output once prompted David Bronstein to remark that, whilst — — [Wood’s dashes] might possibly be the best writer of chess books in the English language, Fred Reinfeld was obviously the best lightning-chess-writer.) Illuminatingly, this book is one of Reinfeld’s very latest, showing clearly that it is one of the last subjects that even occurred to such a prolific writer.’
And from Wood’s column on page 114 of the 28 May 1977 issue:
‘It was Flohr, I think, who compared him [Golombek] with Reinfeld, who also wrote a great many chess books, describing Reinfeld as the world’s worst lightning chess writer, Golombek as the best (lightning chess is the term for chess played at an average of a few seconds per move). The assessment is hard on Reinfeld; Bob Wade has remarked again and again how poorer players find him helpful. It is kind to Golombek, whose books sometimes exhibit a smooth sameness, who had one rather egocentric period and who can find it difficult (who does not?) to avoid repeating himself.’
Is anything further known about the views attributed to Bronstein and Flohr?
Chess literature seems to offer almost no information about the London, 1937 tournament mentioned in C.N. 8736. Below is a reference to it by Harry Golombek in his Times column, Review section, 29 September 1973, page 11:
On page 38 of The Best Games of C.H.O’D. Alexander by Harry Golombek and Bill Hartston (Oxford, 1976) Golombek wrote regarding Warsaw, 1935:
‘This Olympiad stands out in my memory as the most exhausting event in which I ever played. The schedule was a crowded one in which, on a number of days, we had to play two rounds in one day.’
In a report on the Stockholm event on pages 16-17 of CHESS, 14 September 1937 Harry Golombek wrote:
‘The pace is cracking: three games every two days; adjournments galore.’
A further observation by Golombek:
‘Striking, too, is the different attitude adopted by the chessplayer according to his nationality; his temperament or the position of his game. Flohr, for instance, has a care-worn expression whatever his position. Ståhlberg always seems overwhelmed by a calm melancholy. The Americans wear a peaceful, assured expression; here the consciousness of power is very evident. They, and everybody else, realize the US have sent to Stockholm the strongest team that has ever played in an international team tourney.’
He also discussed the playing conditions in Stockholm:
‘What strikes an habitué of London, Hastings or Margate most of all is the prevailing hum of by no means light conversation. Silence is not strictly enforced by any means. The sound is a strange polyglot blend composed of about 18 languages. Through the mixture there runs a prevailing strand of Swedish underlying which is a subordinate texture of German (for German is the lingua franca of the international chessplayer). Noise does not seem to disturb the players, most of whom could apparently play on unaffected in an aerodrome with 50 aero-engines going all out ...
... The spectators walk round the sides of the room which have naturally been carpeted to prevent noise. The number of these spectators has been very large, for chess is very popular in Sweden; over 10,000 paid to come in during the first week.’
From the inside front cover of CHESS, 18 October 1958 we quote the opening sentence of a brief notice of Instructions To Young Chess-Players by H. Golombek (London, 1958):
‘A book with no special features, except that in his bibliography the author recommends fewer of his own books than usual.’
A curious item from page 204 of the 16-22 August 1972 issue of Punch:
Can any reader take the matter further?
Harry Golombek was mentioned in a spoof on page 67 of Punch, 14-20 January 1970:
On the subject of hypnotism (Michael Clapham (Ipswich, England) adds the case of Romark, who was discussed by Harry Golombek on pages 95-96 of Fischer v Spassky (London, 1973). Golombek quoted the following ‘from what I wrote at the time’:
‘Romark, Newcastle’s own Ron Markham, has challenged Bobby Fischer and Boris Spassky to play a consultation game against him at the end of the match and this for a stake of £125,000. Fischer and Spassky are asked to put up £62,500 each as their stake. So confident is Romark of winning that he is putting up £25,000 himself, the remainder being provided by his backers and associates. More, he is prepared to play blindfold against them.
... The reader, if as ill-informed as I was, might now ask who is Romark, what is he? Here are some facts provided by his publicity agents. At present he is based in Durban. At an anti-smoking rally in Newcastle last year he cured 2,000 people of smoking. This year, in Durban, before an audience of doctors, he hung [sic] himself for four minutes, was officially pronounced dead, and then, presumably, recovered. Romark says he is an average chessplayer. He would appear to be a more than average hypnotic medium.’
Golombek’s original article, ‘High drama in Reykjavik’, was written in Iceland during the world championship match and appeared on page 11 of The Times, 19 August 1972. Before coming on to Romark, Golombek indulged in much booksy waffle, contriving to mention Corneille, Agatha Christie and The Mousetrap, Brian Rix’s farces, Racine, Mozart, The Caretaker and Lord of the Flies. He also gave Spassky’s win in the 11th match-game, with brief notes.
A small advertisement on page 23 of The Times, 27 June 1975:
From page 140 of the May 1951 Chess Review, in an article entitled ‘Recollections of Alekhine’ by Harry Golombek:
‘Witness, too, his writings on the game, which must rank with the best that the chess world has produced. The number of young players whose imagination has been stirred and for whom fresh vistas have been opened by his My Best Games of Chess 1908-1923 must be legion.
It is true, however, that in writing this book and others, he owed much to other masters and was not always frank in acknowledging the debt. In his collections of games, for example, he owed a great deal to the French masters, Renaud and Kahn.’
Did either Renaud or Kahn ever write about the matter? And did Golombek give more details, e.g. to justify his words ‘this book and others’ and ‘for example’?
On page 29 of Chess World, February 1960 C.J.S. Purdy wrote:
‘If – we almost wrote “when” – Botvinnik loses the current match, he will have the right to a return match in 1961 ...
Tal seems generally favoured to beat Botvinnik. We think stamina will decide in Tal’s favour ...’
And from page 73 of the May 1960 issue:
‘This was the only world title match about which we have ever ventured a prophecy.’
On page 57 of the April 1960 Chess World Purdy criticized Harry Golombek, under the heading ‘Extraordinary Prediction’:
‘At that stage [after the short draw in the 13th match-game], with Tal two games ahead, Golombek published an extraordinary prediction that Botvinnik would hold his title. Golombek faces the alternative prospect of becoming known as either the greatest prophet or the greatest neck-out-sticker in chess history.
... One of the reasons that Golombek gives is that Botvinnik has a better knowledge than Tal of the openings that are being played! Here is logic to make poor old John Hanks writhe in agony. It would be just as sound to say one tennis player should beat another because his service is superior.
... Golombek’s writings all tend to show that he regards chess rather too much as a body of knowledge. If knowledge of the openings went far, Golombek himself would be one of the world’s best players.
Chess is primarily a skill. It’s mainly a matter of who sees the mostest the fastest. Tal sees the mostest the fastest of all. He would have done better still had he played more soberly after amassing a three-point lead.
Seeing the mostest the fastest is not the whole story. Petrosian may be Tal’s equal there. That is technique. After that comes the art of choosing between moves that technique ranks equal, or as possibly equal. Petrosian, like Capablanca, will always choose the calculable. Tal will often choose the incalculable. Such a player develops an intuition for chances. Tal’s intuition is not perfect, as we see from the ninth game, below, but many of his other games show that it is almost magical, all the same.
Golombek’s prediction may possibly come true, but the reasoning he bases it on is faulty. He seems to be a Botvinnik fanatic.’
It is unclear to us which particular text or texts by Golombek prompted Purdy’s remarks. Our reading of the game-by-game reports by Golombek from Moscow in the BCM and The Times is that he was even-handed and not remotely a ‘Botvinnik fanatic’.
Chess Review, May 1960, page 136
Jacob Bronowski and Chess refers to Harry Golombek’s self-centred ‘tribute articles’ on page 13 of The Times, 5 October 1974 and pages 441-443 of the December 1974 BCM. An episode related in both publications dates from the late 1920s:
‘... on holiday at a seaside resort on the southern coast I had a number of conversations with a worried looking gentleman in my boarding house while the rain was falling. This was Bronowski’s father, and the reason why he was worried was that he was full of forebodings about his son’s tendency to dissipate his undoubted gifts on what seemed to him mere side-issues. He was writing poetry and, as for chess, he was giving too much time to chess problems. “A waste of time”, I commented in the full certainty of my 17 years. “Yes”, said Bronowski père, “that’s what I’m always telling him.”’ (Times)
‘... he asked for my advice about his son. He was at Cambridge University and, according to the father, dissipating his undoubted talents in all sorts of unrewarding side-issues. He was even writing poetry and as for chess, he had recently taken up problem composing instead of the more solid pursuit of actually playing chess. What, he asked, did I think of chess problems. “A waste of time”, I replied. Before there are howls of protest, let me add that I have learnt better now. I consider problems just as much, or as little, waste of time as playing chess, going in for politics or religion, practising the law or train-spotting, negotiating to enter or leave the EEC or just simply, like Candide, cultivating one’s garden. Anyway, my reply appealed to Bronowski père, who said, “That’s what I’m always telling him.”’ (BCM)
Golombek’s writings throughout his life showed little interest in chess compositions.
Harry Golombek was in characteristic form in his Times column, Review section, page 9, 6 May 1972:
The work referred to by Golombek was undertaken in the early 1950s. On pages 278-279 of the October 1952 BCM he wrote:
‘For some years now the FIDE has been making attempts to revise the old rules and produce a new version that will avoid the ambiguities, omissions and falsities that abounded in the former set of rules of chess. The matter proved too complex to be dealt with at last year’s congress at Venice, when the sub-committee for the task produced differing drafts exceeding in number the actual composition of the committee.
This time a sub-committee was appointed to consider a new version (members being the President of FIDE, Folke Rogard, and Messrs Berman, Golombek and Wade). After some arduous and concentrated work this committee was able to agree on a final version that was subsequently approved by the General Assembly ...’
The text was finally passed by FIDE’s Congress in Schaffhausen the following year. Source: page 273 of the British Chess Federation’s Year Book 1953-1954 (Leeds, 1953). Pages 273-293 gave the full text.
Further to C.N. 10198, below is an extract from the section regarding castling, on page 277:
‘Castling is a move of the king and a rook, reckoned as a single move (of the king), which must be carried out in the following manner: The king is transferred from its original square to either one of the nearest squares of the same colour in the same rank; then that rook towards which the king has been moved is transferred over the king to the square which the king has just crossed.’
Page 279 stated that ‘a move is completed ...’
‘... In the case of castling, when the player’s hand has quitted the rook on the square crossed by the king; when the player’s hand has quitted the king the move is still not yet completed, but the player no longer has the right to make any other move except castling.’
On the subject of Harry Golombek and FIDE meetings, we recall the concluding paragraph of his report on the FIDE Congress in Sofia (September 1961) on pages 48-51 of the British Chess Federation’s Year Book 1961-1962 (Warrington, 1961):
A brief Internet search shows an entity which produces noodles. The Bulgarian products include this one:
A photograph taken during the Candidates’ tournament in Yugoslavia, 1959:
From left to right: Petrosian, Golombek (chief arbiter), Tal, Gligorić, Smyslov, Benko, Fischer, Ólafsson, Keres.
Source: Chess Review, December 1959, page 360. A less clear copy of the picture is opposite the imprint page of Kandidatenturnier für Schachweltmeisterschaft by S. Gligorić and V. Ragozin (Belgrade, 1960) with the caption ‘Alle Spieler mit grossen Hoffnungen: Vor dem Turnierbeginn in Bled’.
From the dust-jacket of Chess: Games to Remember by I.A. Horowitz (London, 1973):
No such book is on record, although in 1981 Penguin Books brought out Beginning Chess by Harry Golombek.
A snippet from the Introduction (page 7):
‘I have known one real mathematical genius in my life and he, while passionately fond of chess, played it atrociously. I could give him the odds of a queen (the most powerful piece in the game) and still beat him.’
The penultimate paragraph on the same page:
‘Chess does indeed have some therapeutic value in the matter of training the mind; it helps to concentrate the mind wonderfully. But so, according to Dr Johnson, does the prospect of being hanged next day [sic].’
‘“To the world champion of Chess Literature” – such was the flattering manner in which Smyslov inscribed the book of his collected games which he presented to Harry Golombek on the day he won the world championship from Botvinnik.’
Source: page 170 of The Delights of Chess by Assiac (London, 1960). For a more specific, and less flattering, assessment, see Harry Golombek’s Book on Capablanca.
From the ‘Foreign and Dominion News’ column, edited by Harry Golombek, on page 6 of the January 1954 BCM:
‘Whilst on this subject of confusion it is perhaps worth pointing out that the Golombek who won the championship of Aschaffenburg so easily recently, with the score of 12 points out of 13, is not H. Golombek of England. Nor, as far as we know, is there any relationship – the name, though a rara avis here, is fairly common in Poland, Czechoslovakia and North Germany. Those of our readers who have read War with the Newts by that great Czech writer Karel Čapek may recall that mention is made there of an editor named Golombek.’
Harry Golombek’s review of Mein Abschied vom Schach on pages 323-324 of the November 1955 BCM:
C.N. 11012 gave the full set of ‘portraitures’, from pages 18-22 of Krejcik’s book:
A Quotes and Queries item by D.J. Morgan on page 446 of the October 1973 BCM:
Since no sources were specified, they are added below.
The Fenton remark ‘Never try to checkmate your opponent, but try to win the game’ can be seen in C.N. 10355, which had an extract (pages 233-234) from an article about Purssell’s chess resort in the May 1891 BCM.
A further passage concerning Fenton from the same article:
‘When the end approaches, if by chance he is losing, he gives in without submitting to the last indignity of the game, and he freely advises his opponents to do the same. “Never allow yourself to be checkmated”, he often says. “No human being has ever seen me checkmated yet.”
Golombek’s ‘The tactical master may or may not develop into a great player, the positional one always does’ comes from page 16 of The Games of Robert J. Fischer edited by Robert G. Wade and Kevin J. O’Connell (London, 1972). Golombek contributed an introductory essay, ‘Fischer the Artist’.
On page 15 Golombek wrote:
‘The game of chess is neither a sport nor a science, but really an art.’
Pages 60-61 of Common Sense in Chess by Emanuel Lasker (London, 1896):
On page 36 of Chess Treasury of the Air by Terence Tiller (Harmondsworth, 1966) Harry Golombek quoted the marked paragraph and contended:
‘This sentence alone contains more instruction than many a book that we see turned out by the dozen nowadays.’
‘The Lugano Olympiad was the greatest manifestation of international chess the world has yet seen.’
That was the first sentence of Harry Golombek’s column in The Times, 16 November 1968, page 23.
On page 334 of the December 1968 BCM Golombek reported that the conditions were not perfect:
‘Whenever spectators became numerous the air supply was not really adequate and the noise that echoed round the hall, admittedly mostly made by the players themselves when they had finished their games, proved very difficult to control. In this respect I formulated one axiom and made one observation that may be of use to students of social behaviour. The axiom is the weaker the player the bigger the noise, and to those who say “What about Najdorf?” my reply is that Najdorf is not what he was either as player or creator of noise. The observation, which was borne in on me repeatedly, is that by far the greatest decibels of noise are produced by heavily moustached gentlemen from South America. Possibly the scientific reason for this is the greater force necessary to make themselves heard through the hair.’
C.N. 438 (see too C.N. 5556) quoted Golombek’s words on page 362 of the December 1968 BCM, in a report on that year’s Olympiad:
‘It is an odd fact that most big chess events seem to have some main theme running through the best games, rather like the leit-motif of a Wagnerian opera. The theme at Lugano was the isolation of the black queen’s pawn and play on the white squares in front of it.’
Page 18 of CHESS, October 1953 gave Golombek’s win against Fazekas in round ten of the British Championship in Hastings, August 1953: 1 Nf3 Nf6 2 d4 g6 3 c4 Bg7 4 Nc3 O-O 5 e4 d6 6 Be2 Nfd7 7 O-O e5 8 Bg5 f6 9 Be3 Nc6 10 Qd2 g5 11 dxe5 Ndxe5 12 Nxe5 Nxe5 13 f4 Nf7 14 Rad1 h6 15 Qc2 Be6 16 c5 Qe7 17 f5 Bd7 18 Nd5 Qd8 19 b4 Re8 20 Bd4 c6 21 Nc3 dxc5 22 Bxc5 Bf8 23 Qb3 Bxc5+ 24 bxc5 Qc7 25 Bh5 Bc8 26 Rd6 Kg7 27 Rfd1 Re7 28 Bxf7 Rxf7 29 Ne2 Qe7 30 Qf3 Qe5 31 Rd8 Rf8 32 Qh5 Qxc5+ 33 Kh1 Bxf5 34 R1d7+ Kg8 35 Qxh6 Bxd7 36 Rxd7 Rf7 37 Qg6+ Kh8 38 Qxf7 Resigns.
As reported on page 26 of the November 1953 issue, several readers (E.R. Gordon of Stogursey being the first) pointed out that Golombek missed a mate in two towards the end. It was not mentioned whether he was in time-trouble.
‘One cannot but deprecate this tendency to sacrifice good work on the altar of topicality ...’
That comes at the end of a short book review by Harry Golombek on pages 82-83 of the February 1955 BCM:
Golombek had high praise for Euwe’s book on the Candidates’ tournament, Schach-Elite im Kampf, on page 165 of the May 1955 BCM.
A game annotated by Harry Golombek on page 60 of the ‘special Alekhine number’ of the BCM, March 1956:
1 e4 e5 2 Nc3 Nf6 3 Bc4 Bb4 4 f4 Bxc3 5 dxc3 Nxe4 6 Bxf7+ Kxf7 7 Qd5+ Ke8 8 Qxe4 Nc6 9 fxe5 Qe7 10 Nf3 d6 11 Bg5 Qe6 12 O-O-O dxe5 13 Nxe5 h6 14 Qxc6+ Resigns.
A follow-up item by Golombek on pages 104-105 of the April 1956 BCM:
The reference in C.N. 11548 to the London Boys’ Championship inevitably brings to mind Harry Golombek. From his obituary, by William Hartston, on page 12 of the Independent, 10 January 1995:
‘In 1928, Golombek played in his first London Boys’ Championship, finishing last in his section. The next year, however, he won it, an achievement of which he seemed never to tire of reminding his readers ...
Golombek went from Wilson’s Grammar to London University, though there is no record of his having completed his degree.’
Daily Herald, 7 January 1929, page 3
One of Golombek’s many mentions of the London Boys’ Champion title was quoted in C.N. 5215, from his column in The Times, 5 July 1975, page 7:
‘... it is true that, like everybody else, I started off as a player and that when I won the London Boys’ Championship some 48 [sic] years ago I had not the faintest inkling that I would end up as that thing of silk, a mere chess journalist.’
‘I was London Boy Champion and had a very quick sight of the board’, wrote Golombek when reviewing a book about Sultan Khan on page 175 of the June 1966 BCM. He also mentioned that ‘I was London Boy Champion’ in his semi-autobiographical obituary of Jacob Bronowski on pages 441-443 of the December 1974 BCM.
There are contradictory accounts of Golombek’s university studies. The entry for him in the Sunnucks Encyclopaedia referred to his ‘graduating in languages at London University’. The entry that he wrote about himself in his 1977 Encyclopedia of Chess stated (page 131):
‘Educated at Wilson’s Grammar School and the University of London, he became London Boy champion in 1929 and London University champion 1930-33.’
From the article about Golombek, by W.D. Rubinstein, in the Oxford Dictionary of National Biography:
‘Golombek also began, but did not complete, a general degree at King’s College, London, leaving in 1932.’
In his Independent obituary of Harry Golombek referred to in the previous item, William Hartston wrote:
‘He was awarded the title of International Grandmaster in 1985, which he liked to stress was not an honorary award, but a belated recognition of his playing achievements in the 1940s.’
Confusion sometimes arises over the status and terminology of such a title. In keeping with Jeremy Gaige’s usage in Chess Personalia, C.N. 1808 (see page 196 of Kings, Commoners and Knaves) stated that ‘in 1985 FIDE made Harry Golombek an emeritus GM’, but in addition to ‘emeritus’ and ‘honorary’ another possibility is ‘honoris causa’.
Page 121 of FIDE Golden book 1924-2016 by Willy Iclicki gave a single list, without different categories, of individuals awarded the grandmaster title in 1985. Golombek appeared, with the forename ‘Garry’.
Some particulars are shown below from FIDE Congress, Graz 1985 Minutes & Annexes, beginning with an extract from page 4 of the minutes of the General Assembly (29-31 August):
The FIDE document included a report on the meeting on 25-26 August of the Qualification Commission, whose Acting Chairman was Eero Helme (Finland):
The relevant part of the above-mentioned list:
The documentation leaves a number of loose ends, and we shall welcome authoritative guidance on this topic, and not only concerning the particular case of Golombek.
C.N. 1808 quoted a remark from page 146 of Beginning Chess by H. Golombek (Harmondsworth, 1981):
‘Known as the Rubinstein Variation after the great Russo-Jewish master, Rubinstein, this line was all the rage when I was a young grandmaster ...’
With regard to the extensive copying of entries from Golombek’s The Encyclopedia of Chess (London, 1977) in The Batsford Chess Encyclopedia by Nathan Divinsky (London, 1990), see A Catastrophic Encyclopedia.
A paragraph from Chess Book Sales:
In 1987, C.N. 1406 reported that the back cover of the most recent Penguin edition said that since 1954 The Game of Chess by Harry Golombek ‘has sold over a million copies’. We have pre-1986 editions whose back-cover blurbs state ‘over 190,000 copies’ and ‘over 300,000 copies’. If taken literally, those figures give the improbable impression that between 1974 and 1986 the book sold about 700,000 copies.
A major controversy in Golombek’s journalistic career:
‘Harry Golombek suspects a sinister plot behind the disastrous performance of the challenger in the world championship’
Golombek strongly criticized the performance of both players, and the key (speculative) passage was:
‘Perhaps Kasparov has been warned not to play well and has been given to understand that the consequences for him and his family would be disastrous if he did.’
‘What my critics fail to explain is why Kasparov is playing in a style totally unprecedented for him in which he embarks on attacks without due preparation – a procedure which he has never before adopted. They also fail to explain why he is adopting lines of play and openings which are fimiliar [sic] to Karpov and not at all the type of opening he himself has played before.’
There was also this paragraph:
‘Mr Golombek pointed out yesterday that the results to date were entirely out of keeping with the normally accurate Elo rating system of classifying the strength of champions. The most recent assessments of Karpov and Kasparov had indicated a match win by the challanger [sic] of about six games to four, he added.’
A letter to The Times from [‘Señor’] Campomanes was also cited:
‘Any suggestion that either player is being driven by external pressures into consciously substandard play is absured [sic] and ridiculous. The reality is that Karpov, the world champion, is producing chess of a very high standard, and his challenger, Kasparov, though less a [sic] successful hitherto, has fought and give [sic] of his best.’
The final paragraph added that Golombek’s arguments had also been rejected by members of Kasparov’s delegation.
Golombek’s English-language Wikipedia entry currently gives Lambeth as his place of birth and death. In the Oxford Dictionary of National Biography (an entry written two decades ago by Professor William D. Rubinstein) a precise address in the London Borough of Lambeth was supplied for his birth: 200 Railton Road, Brixton. The Dictionary also specified that Golombek died in the Dawn House residential home, South Park Crescent, Gerrards Cross, Buckinghamshire.
Below is a paragraph from a letter that Golombek wrote us on 26 February 1972:
From John Townsend (Wokingham, England):
‘The address of Harry Golombek’s birth, as quoted from the Oxford Dictionary of National Biography, is slightly different from that of the Golombek family home listed in the 1911 census, when H.G.’s age was given as one month. The census entry (National Archives, RG 14 2098) was written and signed by the chessplayer’s father, Barnet Golombek, a 33-year-old dealer in gas fittings, who was recorded as being of Russian nationality and born at Zambrov [sic]. The address specified was 200 B, Railton Road, Herne Hill, [London], S.E., and the census shows that 200 Railton Road was a separate household.
H.G.’s mother, Emma, was also stated to be of Russian nationality, and there were two other children, Abraham and Rosy.’
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